Geneva smiled without warmth. “Were you answering it truthfully?”
“Better than some people in this house,” Amara said.
The temperature in the room dropped.
Noah’s head turned sharply. Geneva’s eyes flashed with offended disbelief.
“Excuse me?” Geneva said.
Amara met her stare. “You heard me.”
For one dangerous second Noah thought his mother might slap her.
Instead Geneva turned to him, all frost and aristocratic outrage. “There it is. Familiarity, insolence, and theft by sunrise. You can still salvage this before she does real damage.”
Noah was about to order them both out when a small voice came from the hall.
“Don’t fire her.”
Lily stood in the doorway, gripping one side of the frame, legs braced, chin shaking with effort and fear. Lila was beside her in her chair, one hand on Lily’s back like she believed she could physically hold her sister upright through love alone.
Noah’s anger collapsed inward.
“Girls,” he said, softer now, “you should be upstairs.”
“No,” Lily said.
Amara moved instinctively toward them. Noah held up a hand. She stopped.
Lily swallowed hard and kept going. “She doesn’t make us feel broken.”
That sentence landed in the study with the weight of confession.
Lila added, “Everybody else talks to our legs first.”
Noah stared at them.
“What does that mean?” he asked.
Lila looked down. “They always say move this, lift that, push there, try harder, don’t cry, good job, again, again, again.” Her voice grew small. “Miss Amara talks to us first.”
There are moments when a parent realizes the child has been living inside an emotional climate he built without meaning to.
Noah felt that realization like a crack across ice.
He remembered every therapist visit, every schedule, every brace fitting, every motivational speech that was really a demand in expensive clothing. He remembered how often hope had sounded to his daughters like pressure.
He looked at Amara.
She did not look triumphant.
Only sad.
“Give me a day,” he said finally.
Geneva spun toward him. “Noah.”
“I said a day.”
His mother’s face hardened into something that belonged in portraits. “You are thinking emotionally.”
“No,” he said. “For once, I’m thinking carefully.”
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